Speaking

“What’s a fear you’ve overcome?” my student asks me from across the desk.

“Public speaking,” I say without thinking, and she raises her eyebrows. Though we’re in English class, spending the day filling out interest surveys by engaging in an enthusiastic round of “speed dating,” this particular student is also in my Public Speaking class at the end of the day.

“Fair enough,” she replies with a laugh. “You’ve definitely gotten over that one.”

Though I’ve learned a great deal about the subject lately, really that all-too-common fear was something that I had to face a long time ago, in a classroom in North Seattle, as a young teacher who cleared her throat too often and constantly pushed her hair behind her ears.

I’m thinking about speaking quite a lot this year, actually. Public Speaking has been the first “new” class I’ve taught since Canadian History, now almost seven years ago, so researching and lesson planning have taken me to odd corners of studying forensics, rhetoric and the nonverbal communication of various cultures. I’ve spent the year watching TED Talks, debates, and political speeches, mining the Internet for examples of that elusive cocktail of confidence and knowledge that makes smart people into good speakers.

Along the way, I’ve become convinced that I’ve stumbled into one of the most practical classes that a student can take. We talk about job interviews and best man speeches, proposals of the business and romantic variety. I tell them that this class would have been great for me as a student, because I can see that it’s great for them.

At the beginning of the semester they balk at having to speak for two whole minutes. “What will I say?” they wail. Their final speeches officially max out at ten minutes, but I’ve had students keep speaking for 15, regaling their classmates with information about the electoral college or Quiddich, or persuading them of the injustice of Kendrick Lamar’s Grammy snub. Though they don’t end the class having written any papers, built any toolboxes, or sewn any pillows, there is something almost tangible about the confidence created by a few successful speeches.

The other half of my day is also about speaking, of a very different kind. Luci’s sentences are shorter, two-word minimalist masterpieces like “Bye, Mom!” and “All done!” Her collection of words grows daily. Yesterday it was “elbow” and “leg,” places she can proudly point out while talking to her grandmother on FaceTime. The best part of each morning is when she crawls into bed, says “‘nuggle?” and curls up beside me on my pillow for a few blissful seconds. Her world is words and climbing lately, every day a new sound for us to interpret and a new chair to watch her scramble up onto.

Watching my daughter learn to speak and my students learn to speak confidently in front of their peers, I’m struck with the importance of spoken words. Written ones I’ve loved more openly over the years, spending much of my time writing and reading, or teaching people to write and read. But how many more words do we say every day than the ones that end up on paper? Spoken words, unlike their written cousins, are volatile and dynamic, at once permanent and ephemeral. It’s not for nothing that James warns that no one can tame the tongue, that forest fire of kinetic destruction. This year, however, I’ve delighted in the possibilities of speaking more than dwelling on its pitfalls. A good speech can inspire, a kind word can heal, and a sound argument can change the world.

It will be years before Luci can write, but in her speaking I get to know her. What she sees, what she thinks, what she wants. Someday maybe I’ll help her face the fear of speaking in front of strangers or classmates, but for now she’s fearless, naming the world as she sees it, one syllable at a time. With her, and my students, I’m happier than ever to listen.

A Place Between: Thoughts From a Refugee Camp

Washing tables

The the students and the rest of the staff have already gone by the time I’m ready, with coat and lunch, to head over to our work site for Impact Day 2017. This is the fourth annual Impact Day at Black Forest Academy, for which we give up a day of classes to do service projects in our community. In the past, working with teams of students I’ve cleaned at a music school and done landscaping at the cemetery.

This Impact Day is different.

After catching up to the team, I follow them through the center of Kandern, quiet in the late Friday morning, past two of my four apartments. We turn left at the more expensive of our two Italian restaurants, and head past the new condos, past the Catholic churchyard, and down to the swimming pool, still half empty on this early spring day. Finally, we walk down a new red-dirt road, and a few yards later we’ve arrived at the Kandern Camp refugee center, where we’ll be working today.

The boys start our gardening project.

Waiting outside, we listen as first our leader and then the camp’s director tell us about the center. Set up in Kandern last June, it houses approximately 50 people, mostly families. The director shares about the challenges of sharing such close quarters, how it brings to light intercultural conflict and the many ways in which these refugees are conspicuously not German. His attitude is one of gentle hospitality, speaking of the residents as guests he is eager to welcome, and ready to educate–for their benefit–about the mores of his own country. “We teach. We don’t force,” he reminds us, recounting a story of handshakes that were refused, even though “Germany, this is the nation of handshakes.”

While he talks, I listen and look. From the outside, the space looks like a long train of neat construction trailers; on the inside, it feels like a greenhouse, with a translucent plastic tent ceiling. They have family rooms, but share kitchens, bathrooms and community space for eating, playing, studying and socializing. The kitchens and bathrooms are divided by nation of origin: Syrians and Iraqis on one side, Afghanis and “Africans” on another. I realize that I was expecting something along the lines of American fairgrounds–dusty, dark spaces made permanent in a hurry. Instead, I’m struck by how German it all feels, as if the camp had arrived, pristine and ready-made, in flat-packed IKEA boxes. This country, unlike mine, is prepared to accommodate.

Our completed planter

Introductions finished, we spend the day beautifying the center. Several students and staff are on cleaning duty inside, mopping the large wood-laminate floor and cleaning the communal refrigerators. I work with a handful of high school boys to plant flowers–bright geraniums, begonias and chrysanthemums–in some plastic window boxes and one barren cement planter out front. Afterwards we pick up trash. It’s a busy morning.

As we eat lunch, the children come home from school. There are about a dozen of them, mostly under ten, and as soon as they arrive the camp comes alive. Our afternoon “work” consists of entertaining kids. The students throw balls, sling water balloons, give shoulder rides and paint faces. It’s often hard to tell who’s happier with this arrangement, the BFA students or these tiny, whirling centers of energy that swarm around them.

Watching my students interact with children who are growing up in this place between, I’m struck by both contrast and similarities. Teenagers who’ve bounced around the world play with little children who don’t know where they’ll live next. Both are learning new cultures almost constantly, becoming the sort of flexible nomads who will always have a complicated backstory. And yet I’m struck by the difference of choice. How our missionary kids are following a calling, theirs or their parents’, while these children are effectively in exile. One group pulled somewhere new, trusting in God to provide for them when they get there, the other pushed away from somewhere they loved, unsure of where life will take them next.

Painting faces at the end of the day

The day winds down to quietness. A few students have brought instruments and play some low-key jazz at one end of the community space. A toddler falls asleep in one of the senior girls’ laps. Several other girls paint faces, sponging color over delighted cheeks. I hold a grinning seven-month-old and wonder what it must be like to be a new mother here.

As we walk back to school, I’m grateful. Not just grateful because of comparisons, which is a suspect kind of gratitude to take away from a place like this, but grateful for the day. For our students, who work hard and generally are up for anything, whether planting flowers, mopping floors, or serving as human ponies for squealing children. For Germany, and the way they’re teaching me what it means to love neighbors on a global scale. For this place and the people in it, the hospitality the director and residents, letting us share in their lives in a small way, and learn what it means to share this village, this time, and this quiet corner of a broken world.

Commencement {Of Dreams, Failure, and Asking For Help}

A student gives his commencement speech in Public Speaking class.

Let no one look down on your youthfulness, but rather in speech, conduct, love, faith and purity, show yourself an example of those who believe.

1 Timothy 4:12

A ninth-grader stoops down to zip up the long robe, struggling with the zipper until a classmate helps him.

“Do I have to wear the hat?” he asks me, adjusting the polyester garment that billows around him like a navy cumulus cloud.

“Only if you want to,” I reply. “It’s an optional hat today.”

“Oh, I want to,” he decides, pulling the mortarboard down over his hair. “Is this right?”

I nod approvingly, and he’s ready to begin.

After a good deal of preparation, which involved listening to dozens of examples, coming up with inspirational rhetorical devices and honing personal anecdotes for support, my Public Speaking students are giving commencement speeches this week. Though some, like the young man starting his speech now, are still three years away from completing high school, I’ve asked them all to spend a few weeks listening to and preparing speeches for graduation ceremonies.

Like the college essays that arrive at the end of American Literature each year like a piece of dramatic punctuation, the commencement speech was a curriculum choice that I initially questioned. These are the Hallmark cards of speeches, often filled with platitudes and flowery language, hardly the spontaneous, vibrant speeches on self-selected topics that I enjoy at other points in this class. In a setting where cheesiness is not only accepted but expected, I had little hope for genuine expression or feeling.

Still, the speeches have taught me more about my students, and young people in general, than I could ever have expected. Part of their instruction in preparing the speeches was to build them up on the foundation of what we affectionately called The Wisdom. This Wisdom often took the form of a memorable platitude, a catchphrase that they could emphasize and decorate with anecdotes and rhetoric. While I helped them with the decoration, the foundation was all their own.

There are of course a few students who go with the classic “Follow Your Dream” speech, but there is a great deal of variation, too. I hear several speeches on the importance of failure: accepting it, learning from it, moving on from it. One student talks about humility being the key to success, reminding us that our victories are not just our own, but gifts granted because we live in community. Another focuses her speech on asking for help, and warns that this is only valuable if we’re careful to see assistance from those wiser than ourselves. One of the last speakers encourages his classmates to avoid comparing themselves to each other, and rather to remain confident in the love and approval of the God who made them uniquely.

The speeches are mostly of high quality, sincere and well-delivered, which doesn’t surprise me. What does surprise me is their depth, how these 14- to 18-year-olds have given speeches that are identical in content–though the examples differ to those delivered by people with a great deal more life experience. I realize that these ideals, grand and beautiful exhortations, truly belong to young people. That we’re still repeating them now, as adults, is credit both to the ideas themselves and the kids who discovered them as teenagers.

After spending the last decade in the classroom, I’ve come to take for granted that students have wisdom to offer. I forget that many feel differently, looking at hordes of tall, scowling teenagers with unease or scorn. I wish that I could invite the general teen-fearing public to these commencement speeches, to see the endearingly nervous and entirely sincere presentations of young people happy to use their podium to give their hard-learned advice, which finally has a forum, to a receptive group of peers–and one adult–eager to listen. Young and less-young, we’re not terribly different as we to fail, to dream, and to ask for help from different stages of the journey.

The Canyon of Enough

"Migrant Mother," 1936, Dorothea Lange Caption: "Destitute pea pickers in California. Mother of seven children. Age thirty-two. Nipomo, California."

“Migrant Mother,” Dorothea Lange, 1936
Caption: “Destitute pea pickers in California. Mother of seven children. Age thirty-two. Nipomo, California.”

Give me neither poverty nor riches;
Feed me with the food that is my portion,
That I not be full and deny You and say, “Who is the Lord?”
Or that I not be in want and steal,
And profane the name of my God.

Proverbs 30: 8b-9

Thursday morning, the English teachers assemble in the upstairs kitchen of the school. We have classes to teach, papers to grade and lessons to plan, but for a moment we’re thinking of none of that. Though it’s just after breakfast, we’re thinking about lunch. Our highly organized supervisor sent out a spreadsheet a week ago, a sign-up sheet for soup ingredients, and the day has come. We dump our pre-measured and pre-cut containers of ingredients into one of our colleagues’ Instant Pot, and without much more ado, we go about our mornings, while Thai Wild Rice Chicken soup slowly stews one floor above us. We’re excited.

This week I’ve found myself in a strange literary canyon. Behind me is an opulent hillside of the 1920s, where F. Scott Fitzgerald spun his cautionary tale about youth, money, and the extent to which none of it is any good without love. Ahead, if I squint I can just see the austere outline of the 1930s, setting of Steinbeck’s miniature masterpiece, Of Mice and Men. For a week, we’ll be working on a research paper, letting The Great Gatsby sink in and then moving on to another Great, the Depression.

I’ve taught Of Mice and Men dozens of times, but the search for more complete historical context takes me to particularly grim places this morning. Though I’ve seen the famous Migrant Mother photo (above), I’d never known much more about photographer Dorothea Lange’s government-sponsored quest to capture the effects of the Great Depression. I get lost in a collection of her work, particularly drawn to the many pictures of families on the road, searching for work, for home, for a sense of stability that they lost somewhere back East, long ago.

In “Dorothea Lange: Grab a Hunk of Lightning,” a documentary film produced by PBS, I learn of a family she photographed during the Dust Bowl migration. The photographer pointed out that in the series of images focused on this migrating family, a large and mysterious roll of something always appeared to be falling off their truck. When she finally asked the family what it was, they confessed that it was their kitchen linoleum, taken from a long-lost home and transported around the country for three years now, in the hope of finding a new floor to cover. I’m glad that for a moment there are no other teachers in my workroom, so I don’t have to explain the tears rolling down my cheeks.

I’m struck again by the timelessness of literature, its critical importance in continuing to understand our world. Gatsby’s folly isn’t bound by the Jazz Age. In real life, a similar solitary billionaire skulks in a white mansion in Washington, each day discovering to his chagrin that no amount of money, no powerfully crafted image, no artfully spun tales, can buy affection of an entire nation.

And Of Mice and Men, tale of the wandering poor, searching for a place call their own, continues to describe our world, so much so that I long for a modern-day Dorothea Lange.I fear that pictures only work in retrospect, and wonder what the rich and stable thought of her in the 1930s. With photographs of the refugees floating across the Atlantic, bicycling into Scandinavia, or forging their way through blizzards to Canada, perhaps we’d understand, and listen, and care. Is there a camera powerful enough to evoke some empathy from our nation?

If nothing else, I pray that reading these stories, at this time in history, can help my students to learn empathy for those different from them, without the filters and blinders of current events. I hope that they learn that privilege and power mean nothing without love, and that seeing and caring for “the least of these” is one of our callings on earth.

When lunchtime arrives, the English teachers return from our separate classrooms and subjects to the kitchen, and ladle the steaming soup in our bowl. I won’t remember later what we talked about, nor exactly how the meal tasted, but for a moment I’m struck by the “just enough” of this moment. Caught between poverty and wealth, we’re satisfied by this thing we’ve created together, by a moment of community and rest in the midst of a busy day.

It’s not a fancy lunch out that I used to envy from my “fancy working friends.” But it’s also a lunch, dependable and satisfying, in a steady job, in a town where all of us have our own homes to return to. And that’s enough, I realize, a place from which to practice caring, and loving, and seeing. Thank you, God, for this enough. Let us know what to do with it.

Hearing The Bells

Christmas TreeI heard the bells on Christmas Day
Their old, familiar carols play,
     And wild and sweet
     The words repeat
Of peace on earth, good-will to men! 

And thought how, as the day had come,
The belfries of all Christendom
     Had rolled along
     The unbroken song
Of peace on earth, good-will to men! 

Till, ringing, singing on its way,
The world revolved from night to day,
     A voice, a chime,
     A chant sublime
Of peace on earth, good-will to men! 

“Hey, this is a song!”

I hear it half a dozen times as the eleventh-graders walk into class and pick up today’s reading, Longfellow’s “Christmas Bells.”

“‘I heard the bells on Christmas Day,'” the first student reads aloud, then exclaims with recognition. “Wait, I know this from somewhere…”

“Yes, it’s a song,” I reply. “You know the Casting Crowns version from a couple years ago. But before that, it was a different song, and before that it was a poem by Longfellow. So we’re reading it today.”

We’re using it, actually, to practice poetry analysis. We needed to do this today, because it’s been a month or so of reading only prose, and their semester final is looming. I’d selected “Christmas Bells” because it’s the week before Christmas break and the poet is American. (If I were teaching a different class, you can be sure we’d be reading Christina Rosetti’s “In The Bleak Midwinter.” But she’s British, so I made a different choice.) Sometimes I’m just a public school teacher thrilled by the little things, like reading a Christmas poem in English class. I’d written the title on the lesson plan, made 31 copies of the poem, and given it little further thought until this morning, confident that any poem of Longfellow’s must count as “literature” and bear some deeper examination.

Today, I share the results of an hour’s research, telling them the story behind the poem. I ask them to look at the poem’s date, 1863, and tell me if it means anything to them. “Um… Civil War?” they murmur with varying degrees of confidence. Then I tell them about Longfellow, widowed father of six, whose oldest son enlisted in the Union Army without telling him. After a series of close shaves, Charles Longfellow was shot in battle in Virginia in late November of 1863. So in December his father and brother set out to Washington, D.C., where young Charles hovered in critical condition, unsure if he’d survive or, if he did, if he’d walk again.

Then from each black, accursed mouth
The cannon thundered in the South,
     And with the sound
     The carols drowned
Of peace on earth, good-will to men! 

It was as if an earthquake rent
The hearth-stones of a continent,
     And made forlorn
     The households born
Of peace on earth, good-will to men!

“So picture him,” I tell my students. “Longfellow sitting in the hospital, hearing these bells on Christmas and waiting to find out if his son would live. That’s the context. And for this poem, it’s important.”

With the setting established, my students get to work reading and rereading the poem, comparing it to their lists of terms and trying to decipher what deeper meaning they can find from the poetic structure of stanza, rhyme and refrain. I wander the room as they work, giving a hint here and there.

When we come back together after ten minutes, my students have answers for me.

“It has a… a refrain? The last line is the same in every stanza. ‘Of peace on earth, good-will to men.’ That’s a refrain, right?”

“Yes,” I answer, nodding. “Yes to the meaning, and yes to the refrain. The meaning comes from the refrain, right? Without the refrain, it’s just someone saying, ‘Yay, it’s Christmas! But I’m sad. But yay!’ The refrain also has another poetic device with it. Starts with an A…”

“Alliteration? Apostrophe? Assonance?” my students read from their lists.

“You know it’s not those ones. Come on, it’s…”

“An allusion?” someone ventures.

“It’s an allusive refrain!” I reply. “Exactly, and you know what it’s alluding to. The angel said this, right?”

For a moment we’re closer to Sunday School than upper-level literature class, but it’s a moment when my Christian-school kids have the upper hand at something, so we savor it. As a group they tell me about a choir of angels and some bedraggled shepherds who receive the best news of their lives. We zoom out and talk about Israel’s state in that moment, occupied by Rome and ruled by a megalomaniacal, insecure king. Israel needed peace, good-will, and here was an angel promising just that, gifts from the Messiah they’d been waiting for.

“And that’s what Longfellow saw, too,” I continue. “America torn apart by the Civil War, families literally killing each other with no end in sight. A world that still needs peace, good-will, a savior. Longfellow saw it, and we see it.”

Do we ever. The ones who pay attention to the news are more specifically worried, but none of them can shut their eyes to the refugees filling Europe, nor the wars ravaging places that my own students have lived or visited. The refrain is important to us as much as it was to the shepherds or to an aging poet and his injured son.

And in despair I bowed my head;
“There is no peace on earth,” I said:
     “For hate is strong,
     And mocks the song
Of peace on earth, good-will to men!” 

We return to the theme, the meaning they decided on and I wrote on the board in red ink. “Hope in the midst of difficult times.” At the beginning of the school year we spent some time talking about the definition of “literature,” the criteria by which we set it apart from other written words. One of them was that literature had to be concerned with “ideas of permanent and universal interest.” In the midst of global crises and turmoil, talking with young adults about the hope they cling to as they come of age in a chaotic world, this concept has never been more relevant.

Then pealed the bells more loud and deep:
“God is not dead; nor doth he sleep!
     The Wrong shall fail,
     The Right prevail,
With peace on earth, good-will to men!”

As we wrap up the last stanza, I’m thinking of a Bible class I visited a few weeks ago, a tenth-grade class just starting their study of Revelation. It’s a weird book, the teacher told them, full of maybe-symbols and numbers and disaster, but the important point is that in the end, Jesus wins. That’s the takeaway, he said. Just remember.

Like marginalized shepherds, low on the socioeconomic ladder, burdened by layers of oppression as they waited for a savior. Like Longfellow, at a hospital in the war-torn U.S. capitol, waiting for his son to wake. Like all of us, worried or wandering, heartbroken or homeless, in these dark days. We remember, we grasp with outstretched fingers for the promise of our Savior, who has already conquered the darkness.

The Wrong shall fail, the Right prevail, with peace on earth, good-will to men.

Weary

"We are never tired, as long as we can see far enough."

“We are never tired, as long as we can see far enough.”

The health of the eye seems to demand a horizon. We are never tired, so long as we can see far enough.

Ralph Waldo Emerson

Let us not lose heart in doing good, for in due time we will reap if we do not grow weary.

Galations 6:9

My students silently and gingerly tiptoe across the muddy triangle of grass wedged between our school, the highway and the river seeking, as I’ve directed them, a space for “silence, thoughtfulness and solitude.” We’ve just finished our unit on American Romanticism, spending the last few days on Ralph Waldo Emerson and Henry David Thoreau, so as has become tradition I’ve taken my students out to “experience nature” for part of our class, and then spend the rest of class reflecting on it.

It serves the purpose of reinforcing course material, I tell myself, but as I watch my students drifting around the lawn I’m keenly aware that I’m that teacher right now, the Dead Poets’ Society-influenced one who drags her students out of the classroom, through mud and drizzle, in pursuit of quirky interest. I’m unrepentant, however, because today we’re not seeking enlightenment or novelty; we’re simply seeking rest.

Looking down at the slip of paper in my hand, which I cut out yesterday and drew for myself at random this morning, I read:

We are never tired, as long as we can see far enough.

A week ago it was glorious fall, the limbs dressed in full splendor, but today is just November, drab and damp and a little depressing. And I usually like November. I obediently look up at the sky, crisscrossed by black branches, at the farthest trees on the hill, which really aren’t so far away at all. I can’t see very far, I tell myself. That’s why I’m so tired.

I suppose that Emerson was likely talking about real horizons, but that’s not exactly where I’m headed. I’ve woken up most of this week feeling trapped in the confusion and urgency of the moment. There are the immediate needs of my sick daughter and our broken car, both of which require attention and planning. Both Monday night and Wednesday morning brought news that caused me to ask, “Really, God? I just don’t get it.” I can’t see far enough–into the eternity where it all makes sense, where the twists and turns of daily life smooth out into His glorious narrative, the working-together-for-good of it all–and I’m tired.

So what does it take, I wonder, to find the horizon? I’m reminded of Paul’s words, written to the Galations and echoed by Hillary Clinton in her concession speech Tuesday night:

Let us not lose heart in doing good, for in due time we will reap if we do not grow weary.

Love the things that are eternal, and work for those. I know that it doesn’t spare me from the details, that loving eternity means paying even closer attention to the needs of those around me. Today it will mean writing cards for students that I care about, remembering that investing in this way is at least as important as grading the unseen essays that loom over me like a thundercloud. It will mean going home and cherishing my family, the gift that they are to me and to many. It will mean remembering that we’re all made in God’s image, every human, and that God’s love for us is immeasurable and eternal. And that if I can wake up each day looking first to Him, that’s all the horizon I need to keep heart in doing good.

The Author Wept

This week, Black Forest Academy mourns the loss of  a baby girl born prematurely just a month ago to one of our new staff couples. We grieve as a community, lifting her parents and younger brother up in prayer, full of sadness and gratitude that she is at last whole.

While we waited for her ride to come pick her up, I sat on a bench next to one of my students. I don’t know her well, but as she talked I felt like I did; this girl, like myself and a handful of students I’ve taught each year, is a writer. She walked me through her process, touching blithely on a few different tales she’s spun over the years. She described scenes that she enjoyed writing, characters that surprised her as they wrenched themselves out of her control on the page, and her first 40-page story, written shortly after she learned to type.

After a while, we started talking about characters, about the deep investment of an author in the people she creates. She told me about a time that she startled herself while writing a particularly chilling scene, and the many times that she’s written herself to tears over the fates of her characters.

“It’s not what I wanted to happen to him,” she admitted, telling of a particularly sad ending.

NOTE: If the final Harry Potter book is still on your to-read list, it would behoove you to skip a paragraph, lest you learn more plot details than will please you.

I told her about J.K. Rowling, author of the Harry Potter series, who confessed that she wept while writing one of the final chapters of the final book, when her hero realizes that he will need to sacrifice his own life to defeat the villain, and goes willingly to his death.

“She said that she just cried her eyes out writing it,” I said, confessing, “Which is pretty what happened to me reading it.”

“But” –and I know what she’ll say next– “She knew the ending! She wrote it!”

I nodded, and for a moment we pondered the paradox of an author’s weeping for a fictional character, who indeed turns out all right in the end.

“Sometimes I wonder if that’s how God feels,” I mused. “If even though He knows how it all works out, He cries when things happen. Because He made us, because He loves us.”

I return to that thought this week, as our little community mourns the loss of our newest member, a baby girl born just a month ago to a young couple on our staff. We’re caught in the tension of this heartbreak in time and joy in eternity, where she’s healed of the heart defect that took her life. We weep, even knowing that she’s well now, missing her here.

Jesus did this too. At Lazarus’ tomb, just moments before raising him from the dead, we read of his sorrow:

“When Jesus therefore saw her weeping, and the Jews who came with her also weeping, He was deeply moved in spirit and was troubled, and said, “Where have you laid him?” They said to Him, “Lord, come and see.” Jesus wept.

I’m drawn back to the thought of the author, tears dripping onto the unfinished work for which she already has planned a happy finale. And then to Jesus, weeping to see the sadness of his friends, even as he saw joy ahead.

And so we weep, as Jesus did, mourning the broken present, trusting in eternity’s joy, and grateful that the Author loves us, made us, and sees the finale when we cannot.

Please pray with us for this sweet family in their sorrow. Thank you.

 

The Fear Jacket

 

"There is no fear in love; but perfect love casts out fear..."

“There is no fear in love; but perfect love casts out fear…”

I’m troubled from the start, Friday morning.

Living nine hours ahead of my friends on the West Coast, the ongoing ugliness of election season in America unfolds mostly in the morning for me. I wake up and see it spattered across social media, the messy barbs of rhetoric flying between two people I don’t know, far away, but nearer to home between friends, family and students, each exchange more impassioned than the last.

We don’t understand each other, I realize, waking each morning to see in stark relief all of the perspectives that aren’t my own, battling it out in text on a screen. I’m not there to attend protests, haven’t watched any debates live, but I feel it all the same, the creeping sense not of unity, but of two-ness that our country has become lately.

I’m reminded of Thomas Hobbes who, writing during a particularly dark period of British history, described a world plagued by “continual fear, and danger of violent death; and the life of man, solitary, poor, nasty, brutish, and short.” It’s continual fear that I pause on this morning, thinking about the fears peddled by both sides, and my own real fear for our nation.

Then I come to class. My sweet English class, where we’ve been reading the mournful, ponderous tomes of Romantic American literature. We’ve finished with The Scarlet Letter, leaving behind Hawthorne’s “darkening close of this tale of human frailty and sorrow,” and have spent the week mostly in the company of Edgar Allan Poe, examining tormented cats and an inexplicably verbal raven. All week, we’ve dwelt on tales of darkness springing from men deeply cynical of the human heart. Left to our own devices, Poe and Hawthorne seem to tell us, we’re all selfish at our best, and consumed with paranoid madness at our worst. The spectrum of human existence seems bleak indeed.

My students are writing their own “Tales of Woe” today as we wrap up this part of the Romanticism unit. “Take an ordinary, mundane circumstance,” I tell them, “And add in something extraordinary. A man is taking a nap and a talking raven comes in. A teacher is grading English finals and an elephant walks by. Ordinary and extraordinary. That’s it.”

The students nod, dutifully writing down this combination of elements in their notebooks.

“Now,” I continue, holding up a mug full of printed, cut-out words, “Take a pinch of woe.” I demonstrate, pinching out weary, solitary and desolate. “These words are your tone, your inspiration. It’s not a complex story, this one. It’s all about the tone. The tone of woe.”

The laugh, they write, they pinch out melancholy words and sprinkle them with abandon through stories of prophetic breakfast cereal and murderous oranges. Towards the end of class we share excerpts, enjoying our creativity and the unfamiliar feeling of painting with only dark hues for a while.

It strikes me that they’ve put it on–fear–just for part of a class, just for the adventure of it. Now, like a jacket, they take it off, going about their ordinary, un-woeful Friday and leaving the fear behind.

I wish I could do that in real life, I find myself thinking. Then I remember that I can.

“God is love, and the one who abides in love abides in God, and God abides in him. By this, love is perfected with us, so that we may have confidence in the day of judgment; because as He is, so also are we in this world. There is no fear in love; but perfect love casts out fear, because fear involves punishment, and the one who fears is not perfected in love.” (1 John 4:16-18)

Like my students, leaving behind their fear because it’s no longer necessary, I can trade mine in, a jacket of fear for one of love. It’s God’s love, the perfect love, that casts out the fear, reminding me that I am–all of us are–deeply loved, intentionally cared for by our Creator, who doesn’t let us muddle on alone but remains invested in us, individually and as a community. I remember that God loves my nation, not more than the others but because it’s a nation full of his beloved people. I remember that I don’t have to be afraid.

And while it’s God’s love that gives me confidence, there’s action required of me, too. John continues with words that convict:

“We love, because He first loved us. If someone says, ‘I love God,’ and hates his brother, he is a liar; for the one who does not love his brother whom he has seen, cannot love God whom he has not seen. And this commandment we have from Him, that the one who loves God should love his brother also.” (1 John 4:19-21)

It’s a time of division. It’s tempting to believe that I know best and easy to imagine that some people know nothing. And yet, God says, love. Because nothing can separate us from His love, and nothing is more important than, day by day, loving Him and loving our neighbors. Those callings are the same today, tomorrow, and November 9th. Love, because you’re loved.

I can’t pretend this is easy to do, to love my neighbor as God does. Fear is easier. Suspicion is easier. Frustration is easier, the tendency to shrug my shoulders, shake my head and go, “I just don’t get it!” to the shouting silence of words on a screen or the real, inscrutable opinions of people I see every day. So it’s a choice, now more than ever, but really every day. To listen and to love, sometimes without agreeing or even understanding.

I’m choosing the better jacket. Because it’s better to love than to live in dread of what could happen, in three weeks or at any point in my unpredictable life. God is good, and will be good. And that’s enough.

So I leave the fear behind, like a teenager closing a notebook, laughing off a lesson, and going to lunch, where the real business of loving and living is going on.

The Patience of Questions

Photo: New Yorker

Photo: New Yorker

“Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue.”

Rainer Maria Rilke, Letters to a Young Poet

An orange entrepreneur is telling a story to a red-suited politician.

“…Somebody would call up Sean Hannity, this was before the war started. He and I used to have arguments about the war. I said it’s a terrible and a stupid thing. It’s going to destabilize the Middle East. And that exactly what this’s done.”

I press pause. The students of my public speaking class have found the elusive equilibrium between fascination and boredom in the last period before they depart for their senior trip to Rome. They’ve given their speeches, turned in their homework. Now we’re watching the U.S. presidential debate they’ve heard a lot about, but haven’t experienced themselves.

“What… what is he even saying?” one girl asks, baffled. “The moderator asked why he had better judgement than Hillary. So… what?”

“I just heard ‘Sean Hannity’ about seven times,” I admit. “Other than that, I have no idea.”

The nuances of this debate are lost on my students, for the most part. They don’t know the jargon, the background, the political gossip that decorates both news and entertainment these days. They don’t all hold American passports, though even that isn’t a guarantee of political engagement. Still, they suspect it’s important, so they watch and comment.

The last few months in American politics have prompted several articles from prominent writers and news anchors, who  feel for the first time ambivalent about their roles of “unbiased journalists” in the face of what they see as huge threats to our nation. They want to pick a side, to tell one story, and often they do.

Sitting at the front of the classroom, with a room full of students with only half-formed opinions, I suddenly understand the feeling. I don’t have the ear of the nation—I’m no New York Times columnist or CNN reporter, trying to justify my bias—but I do have a bit of influence. Over just this small world, just a few minds. What will we do with it, ask teachers everywhere, cracking our knuckles like super-villians.

As we watch this debate, I have to bite my tongue often to keep from telling them not just what I think, but what to think. It’s not a new feeling, the temptation to just tell people what to do, and pray that they listen. Today, with these eager high school seniors, I realize that the most important shortcuts I’d take as their teacher and mentor aren’t even political ones. There are mistakes that I’d like to warn them off of, life paths down which I’d point them decisively. They have questions–about God, about life, about love–that I could start to answer. I could just tell them, and if they’d just listen life would be so much easier.

"Incredulity of Saint Thomas," Caravaggio

“Incredulity of Saint Thomas,” Caravaggio

Last weekend I had the opportunity to sit on a panel of other community members at the local church, for a forum for youth called “Conversations.” The topic of the day was curiosity, both the attention and the boldness it takes to ask questions. They looked at Carravagio’s painting of Thomas, examining the way Jesus not only allows but welcomes Thomas’s questioning, pulling his hand to the wound to show him. We discussed the role of questions in forming our own faiths at various seasons in our lives, assuring students that we’d asked questions of our own, and continue to do so now.

“Having the answers” (or even just thinking I do) is deceptive kind of power, really not much power at all. The notes that my students write down and memorize produce only impermanent results, not lasting life influence. They repeat that “Jesus” is the answer, but can’t show their work. The research they do on their own, painstaking and circuitous, full of questions and dead ends, is where the real learning happens. The questions take so much longer, but the earned answers are the ones that last. I can only walk with Christ when he is a person I know, not a word to fill in the blanks, a prescribed selection on a ballot of life choices. And knowing takes time.

When my class’s debate commentary dwindles, I unfreeze Mr. Trump and let him finish complaining about Secretary Clinton’s temperament. We giggle at her now-famous shoulder shimmy of a response, and watch a few more exchanges before moderator Lester Holt redirects them with a calm, “It’s time to move on.”

“It’s time for us to move on, too,” I say, closing my laptop. “But quickly–politics aside–what would you say to Donald Trump if you were his public speaking teacher?”

“Make an outline!” my students cry. “Seriously. An outline, and stick to it. He would be so much clearer, and then we could understand him.”

For the thousandth time I’m reminded that I’m not in the business of teaching young people what to think, nor can I make them believe. I can teach them how to think, I can teach them how to ask questions. I can tell them who I believe in and why. And I can walk with them, with patience and God’s grace, on the road to learning and faith that takes longer, yes, but is a journey all their own.

More Than Passports

This year's seniors display their flags before Opening Ceremonies. Photo: BFA Communications

This year’s seniors display their flags before Opening Ceremonies.
Photo: BFA Communications

  1. What is an American?
  2. What did you learn about America from the book you read this summer?
  3. By your own definition, how American are you?

Write for five minutes without stopping. Be prepared to share!

Honors American Literature, 5 September 2016

Familiar scratch of pen and paper, familiar slant of morning light through familiar second-floor windows. Unfamiliar students, answering an old question at the beginning of a new year. What is an American?

We’ve spent a few days pondering this, reading New Yorker articles written by outsiders looking in and trying, as best as we can, to capture the “essence of America” as we begin our course in American Literature. Last week, my students claimed that institutions like bottomless chips at Chili’s, monolingualism or the game of baseball were emblematic of America, revealing features of nation’s face. Today, we’re discussing the face itself. When we get to the bottom of it, what is an American? And am I one?

It’s not an irrelevant question for us, either in English class or here at Black Forest Academy. In class, we’re beginning a year of exploring the relationship between a culture an its art, so uncovering the culture at its foundation, the basic scaffolding that makes this one nation different from the others, is key. We’ll get to the American Dream later, yes, but for now we’re back at the beginning and even before it. Before there was an America–before declarations and constitutions and wars–who were Americans? And how did they know?

At BFA, the question is more personal, and more interesting. I ask the class how many hold U.S. passports and the majority raise their hands. “How many of you, then, have spent more of your life outside the country than in it?” Again, mostly raised hands.

I tell them about my students back in Seattle, who were always from somewhere, but also American. Somali-American, Mexican-American, Vietnamese-American, African-American. Even the ones born elsewhere were American, having adopted this country as part of their hyphenated identities, calling it home and vowing to stay. And I tell them about themselves, or past versions of them, students born in the United States, with American passports, who feel like strangers in Topeka or Chicago or Portland, and at home in Baku or Nairobi. Identity is more than a passport, I remind them, and they nod knowingly.

Toward the end of the class, they line up as a spectrum from most to least American, by their own definitions. By the window are students whose only exposure to the United States has come from their classmates here, who have no other relationship to America and who doubtless wonder why I’m making such a big deal about this question. By the door stand a few students who’ve just moved here, who are also mystified by the many identities that their classmates hold in tension. In the middle, though, are the tricky stories.

The brief visits to America punctuated by most of their lives elsewhere. The feeling of not fitting in to the culture that issued their passports, but still realizing–often with self-awareness beyond their years–that they’ve been shaped by their starting point, and that American culture will always be their native language, their default mode. Yes, we’re American, my students tell me. We just don’t quite know what that means, all the time.

From Joyce’s Stephen Daedalus to Luke Skywalker, all through literature we learn that a hero’s ambivalence about his place of origin is the beginning of a good story. As I listen to my students, global wanderers still trying to pin down “home,” I realize that a new story has begun, and that I’m thrilled to meet the heroes that will fill this year.