The sewing machine came from downstairs.
Also Americans working in missions, our neighbors have been in Europe for decades, so I correctly guessed that she might have a sewing machine I could borrow. “Thank you!” I said as I turned to lug the ponderous 1950s Singer up the stairs, adding “I’ve never felt settled enough here to have a sewing machine.”
For reasons practical and sentimental, I’m making Luci an apron. She likes to “help” me make all sorts of dough, and I like it better when the flour ends up in the bowl (and the counter and the floor, honestly) rather than all over her. Also, it’s really cute. I have an old tea towel that is just the right size, and have already cut out the tiny apron, made clever use of some already-hemmed edges, and ironed some makeshift bias tape out of two long diagonal pieces to use for the strings.
Now I coax the machine to life, pulling out scraps of sewing knowledge from a dusty drawer of consciousness, each skill coming with its own origin story. I did take a sewing class once, resentfully accepting it as an alternative to ceramics my freshman year of high school, but I learned most of this from my mom and grandma long before that. I remember their sewing machines, also vintage like the one I’m using now, how the thread had to dance back and forth about a dozen times before it could finally make it through the needle. I remember shelves of leftover cloth, leftover tapes and rickracks and laces, leftover buttons, echoes of finished and unfinished projects that became doll clothes and tiny tents for Lego men.
It’s not mountains, or words, or even music, but sewing still forms a fine thread that runs all the way back to my beginning. It’s enough a part of me that planning this little apron felt a bit like speaking an old language, its cadences and vocabulary familiar and pleasant. And enough that my blithe admission from a few days ago–“I’ve never felt settled enough here to have a sewing machine”–returns to mind.
Like many other transient communities, missionaries have a complicated relationship with possessions. Things are either indispensable, items that we’ll carry to the ends of the earth, or entirely disposable, to be left and then found again at each new home. Everyone has a unique balance of the two, and different items in each category. Some tote their homes around in containers filled with delightful antique furniture, pianos and bicycles. Others shrug off each place like an exoskeleton, taking only essentials and starting over.
I’ve reflected often on what I’ve accumulated here in this pretty green valley, the levels of settledness achieved over seven years. A bicycle, a trunk, two rocking chairs and a mountain of handmade pottery. Mostly, though, for me the “acquisitions” are intangible, relationships and growth that could only have happened here, most notably my transformation from single, self-sufficient nomad to a wife, mother, and part of a community. Though I eventually conceded and bought a few appliances, a sewing machine was never among them, was something too heavy and too expensive to have in a place that may not be permanent.
Not having a sewing machine is the tiniest of sacrifices, but I find myself reflecting on colleagues, both now and even more so in the past, who left much more behind. Those who’ve gone without pianos, or beloved pets, or less portable hobbies, like sailing or gardening. Those who miss the sea, the way I’d miss mountains, or miss months of hot sunshine as I’d miss clouds. Those who’ve left relationships, large and small, to pursue a calling they couldn’t deny. We all leave something, choose to live without other things.
Even more challenging, though, is the reminder that though going without a sewing machine is no problem, in the long run, I have to be careful about applying the rule more broadly, avoiding relationships that are “too expensive” or responsibilities that are “too heavy” if they won’t be forever. Transience isn’t the special possession of missionaries, refugees, and migrants, but rather the reality of every human life. We all have to figure out how to engage fully where we are, knowing that everything could change at any moment, but that we’ll be infinitely richer if we’re willing to known and be known by those around us.
The old sewing machine chatters its way across my little apron, finishing the seams neatly and simply. I like this, I realize. I want to share this, someday, with the tiny person who for now is stirring muffin batter and rolling out tiny tortillas. And sharing it will mean finding a sewing machine–here or somewhere–again.